Key Takeaways
- Lex Bratcher’s wordplay and delivery shine on “what’s hatnin,” pairing lyrical agility with a driving beat.
- Dr. Clips’ production adds bounce and clarity, giving the track its signature energy.
- The single builds on her recent momentum, signaling a strong run under 440 Artists.
Lex Bratcher is wasting no time making noise under Offscript Worldwide’s 440 Artists imprint. On Friday (Oct. 10), the DMV-bred rapper dropped “what’s hatnin” — a confident, animated offering that reintroduces her as both a technician and a showstopper. The track was produced by Dr. Clips, a Los Angeles-based filmmaker and beatsmith who built his name through viral short-form videos and collaborations with artists like Flyana Boss and GloRilla.
From the song’s opening bars, Bratcher’s intent is clear: She’s here to flex wordplay and work ethic in equal measure. “What’s happenin’? / They ain't want me back then, what happened? / Now I’m up, now I'm really buildin’ traction / Eatin’ up the energy like a Pac-Man,” she cleverly raps on the hook before continuing, “Get the bag, then I'm headed to the Aspen / Get the guapo, get it pronto / Now your shorty doin’ splits like a fraction.” By the time she quips, “Might pull up to your dreams like Wes Craven,” it’s evident that her pen hasn’t lost a step — she’s just having more fun.
The production amplifies her mischief. Dr. Clips’ low-end thump and stutter-step drums leave plenty of space for Bratcher’s flow to pivot between slick and surgical punchlines. It’s the kind of beat that feels tailor-made for both gym speakers and car subs.
Lex Bratcher shows versatility through her latest releases
Bratcher's “what’s hatnin” follows the recent one-two punch of “Again” and “Money On My Mind” — singles that showcase her versatility from sensual tone shifts to self-produced hustle anthems. This time, she fully leans into her competitive side, turning a casual question into a rallying cry for momentum and payoff. It sounds like she used the drop to shrug off doubt with the composure of someone who’s long stopped seeking validation.
Ultimately, Bratcher’s latest is loud, lyrical and built to move crowds. You might catch yourself in full dance mode before you even realize it.